Eighteen years ago, Ronnie Lipsick was poised for acting success … until her daughter Audrey came along. Ronnie has lavished years – and the family’s finances – on moulding the boisterous, petulant teenager into the star she almost was, ignoring her sexually frustrated husband Cormack and her younger daughter Norah’s interest in wheelchair fencing. When Audrey has the absolute gall to fall into a coma, Ronnie decides to impersonate her, stepping in to all of Audrey’s auditions and acting classes. Meanwhile, Cormack embraces his tastes for religious-themed kink, and Norah finally gets her sport rolling (while also cosying up to Audrey’s boyfriend). It's amazing what the Lipsicks can achieve with their disagreeable golden child out of the way! Penned by multi-award-winning screenwriter Lou Sanz, the feature debut from director Natalie Bailey (Retrograde; The Thick of It), which world-premiered at SXSW, is a deliciously dark comedy about a dysfunctional family trapped in the web of lies they’ve woven to fabricate happiness. As Ronnie, Kiwi funny-woman Jackie van Beek (Nude Tuesday; The Breaker Upperers) leads a game cast who embrace the deviousness of this satire about the clash between obligation and self-actualisation, and how opportunity can be mined from misfortune. Supported by the MIFF Premiere Fund, Audrey audaciously dramatises the lengths some are willing to go to follow their dreams. “Razor sharp … A surprising delight with both its heart and head in the right place.” – The Playlist